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It’s A Snuff Film!

20 May

May 20, 2016

This idea originated with my friend Marc and I way, way back. That’s why Chris Farley, who died almost 20 years ago, is in it. 

Interviewer Chop Hallipop: A typical Hollywood lightweight with a toothy grin.
Director Pierre D. Brody: First-time director, slightly pompous
Chris Farley: Rotund, stoned actor
David Hasslehoff (wearing Baywatch shorts and Knight Rider jacket): Pretty much himself

UNSEEN Dame Judi Dench
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VOICE OVER: Welcome to Movie News Now! Tonight, Lola O’Neil looks behind the scenes of the new Teenage Mutant Ninja Turtles movie and gets some makeup tips from Leonardo. Flem Mercer is in the studio with part two of his interview with screen legend Jake Lloyd. But first, here’s Chop Hallipop sitting down with the stars and director of Killing Judi Dench, the controversial new film by Director Pierre D. Brody. Take it away Chop!

CHOP HALLIPOP: Thanks voice over! Ha ha! You’re great! (Looks into camera) Hi everyone, I’m Chop Hallipop. (Smiles) All of Hollywood is talking about the upcoming film Killing Judi Dench. We’ve got the inside scoop with the cast and director, right here in our Movie News Now! studio. Pierre D. Brody, you’re the director, producer, and writer. Is it true that this is a snuff film?

PIERRE D. BRODY: That’s right Chop. It’s a return to the good old days of filmmaking.

CHOP: For those of us who aren’t familiar, can you tell us what exactly a snuff film is?

PIERRE: Sure, Chop. A snuff film is actually a reality film, not unlike Big Brother or The Bachelor. In it, an actor gets murdered right on screen. We actually filmed the real murder of one of our cast!

CHOP: Wow, they never did that on The Bachelor!

PIERRE: I assure you, no one else would have the guts.

CHOP: (Looking at the camera, flashing his big toothy grin) One of the big mysteries surrounding this film is who actually gets killed. Pierre D. Brody, can you give us a scoop?

PIERRE: Sorry Chop, ha ha, I can’t give that away. You’ll just have to buy a ticket.

CHOP: Killing Judi Dench has a stellar, some would say killer, heh heh, cast, including Chris Farley, David Hasslehoff, and of course Dame Judi Dench. We have two of the stars right here with me on set. Chris, David, welcome to Movie News Now!

hoff

DAVID HASSLEHOFF: Thanks Chet.

CHRIS FARLEY: It’s a snuff film!

CHOP: I understand Judi Dench couldn’t be here tonight.

PIERRE: That’s right Chop. She has a prior commitment back in England and unfortunately won’t be joining us on this press tour. But she asked me to say how proud she was to be part of this production.

CHOP: David, let’s start with you. What attracted you to this film?

DAVID: Well Chet-

CHOP: Chop

DAVID: Chet, I was looking to do something I hadn’t done before. I wanted to stretch as an actor. And an onscreen real murder was too good to pass up.

CHOP: But weren’t you worried that you might end up getting killed? After all, Pierre wouldn’t reveal the victim to you until filming began.

CHRIS: It’s a snuff film!!!!!!

DAVID: Murder is something you always worry about as an actor.

PIERRE: I think that the fear of death is a powerful motivator, and it really came through onscreen. I have to give special credit to Judi. Her fear, her terror was palpable, right up till the end.

CHOP: I have to ask you again, who gets killed? Who is the victim of this snuff film?

PIERRE: I can only say that the audience won’t be disappointed.

CHOP: (Looking at the camera) Chris Farley, David Hasslehoff, and Dame Judi Dench star in Killing Judi Dench. I’d like to thank Director Pierre D. Brody, Chris Farley and David Hasslehoff for being here with me tonight. Find out who gets killed when Killing Judi Dench opens on June 18th.

 

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Hollywood’s Day Off: A Hollywood Russell Story

19 Feb

February 19, 2016

Hollywood's Day Off

It was 12 noon on a Tuesday in New York City. September. The sun was shining, the sky was clear, a cool breeze through the trees. In the business district, men and women were emptying out of their office buildings like flood over a dam. It was lunchtime and executives in expensive fedoras on their way to lunch at the club mingled with secretaries in uncomfortable shoes off to run errands, dodging the lines of tellers, clerks, and salesmen milling around the corner hot dog stands.

In the park, the benches quickly filled with men and women carrying their paper bags full of baloney sandwiches or slices of last night’s roast on a hard roll. At this hour, men and women were walking quickly through the park, from east to west, west to east, north to south, south to north. Lunch hour was precious and flew by all too quickly, and soon it was time to go back to the drab office and restart the day’s toil.

Hollywood Russell sat on a bench under a tree and enjoyed the little dramas that played out before him. There was a man with hangdog eyes, looking at his newspaper but not seeing it. Across from him were a pair of men loudly complaining about their bosses. Turning right, Hollywood saw a trio of young secretaries walking past a bench where an equally young executive sat. Hollywood watched them walk, as did the young executive.

Private eyes rarely had the luxury of enjoying a day like this. If there was no case, Hollywood would be in his office, and lunch would either be at his desk or down at the local watering hole. If there was a case, he’d be out but working, and lunch, if he had the time, was wherever he found himself. But today the sun was shining, the birds were singing, and Hollywood was very comfortable on the bench in the park.  He folded his newspaper, dropped it in his lap, and leaned back.

park

Next to Hollywood on the bench, but at a distance that left the PI room to stretch, was a businessman virtually indistinguishable from the others inhabiting the park this afternoon. Neat, moderately priced brown suit, hat pulled back on his head to enjoy the sun, peanut butter sandwich wrapped in wax paper and of course the paper bag next to him.

Hollywood tore his eyes away from the secretaries, who were now on their second lap around the young executive’s bench, and leaned over to his neighbor. “Looks like the fish is on the hook.” He nudged the man in the ribs and nodded in the right direction.

The man in the brown suit looked and smiled. “With gams like that, those dames can’t lose.” Hollywood favored him with a wolf grin that ended at his eyes and leaned back.

The minutes ticked by and little by little the park emptied out as New York’s businesses demanded their cogs and gears start spinning again. The secretarial trio, their appetites quenched for food but no more, went back to their desks, phones, and coffee. The young executive looked at his watch and decided that he had stretched his hour about as far as he could, and made ready to get up.

Hollywood stood up, and as he did, the newspaper in his lap fell to the ground. “Oh, pardon me.”

He bent to pick it up, jostling his bench mate just as the man fired the gun that had been hidden in the brown paper bag. His shot went high, lodging in a tree just a few feet above the young executive’s head.

The detective straightened up and turned to the would-be killer. “Tell Deez he’ll have to do better than that.” He plucked the gun out of the man’s hand, tucked the newspaper under his arm, and walked out of the park, escorting the startled young executive back to his office.

It was such a nice day that Hollywood almost considered not cashing the check.