Tag Archives: Writing

He’s A Nasty Man, Charlie Brown

31 Oct

October 31, 2026

This Halloween marks the Tenth Anniversary of one of my favorite blogs.  Please enjoy this Classic Repost.

From October 22, 2016

It’s the fiftieth anniversary of the classic It’s The Great Pumpkin Charlie Brown. For decades, poor Charlie Brown has been getting rocks instead of candy. But did you ever wonder why the adults on his street would give a little boy rocks on Halloween? Read on for one man’s story.

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The Time: Halloween 1966
The Place: The home of Burt and Luann Smith, just down the block from Charlie Brown’s house

BURT: (Looking out window) Hey Luann, it’s getting dark. Those trick-or-treaters are coming down the block.

LUANN: (Calling out from the kitchen) I’ve got a bowl of candy near the door, Honey. Don’t give them too much, just a couple of pieces each.

BURT: (Muttering) I’m keeping the Kit Kats for myself.

From outside, the distant sounds of children trick-or-treating can be heard.

BURT: (Still at the window) Aw Jeez Luann, that kid with the messed up head and the blanket is squatting in the Jackson’s pumpkin patch. What’s wrong with him? (Burt squints, looks closely) I think he’s got that little Sally Brown with him. (Muttering again) I bet the coyotes get her first.

LUANN: (Still in kitchen) What did you say dear?

BURT: Nothing, dear, nothing dear (bell rings) Uh, got to get the door.

Burt opens the front door. A group of kids in homemade costumes yells “trick or treat!” Burt gives them some candy, pocketing the Kit Kats for himself. They leave but before he closes the door, he looks down the block.
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BURT: Luann, I’ll be back in a second. I just have to run out back for a minute. (Burt runs out the back door.)

LUANN: (Enters the living room) What? Where are you?

BURT: (Comes back) OK Hon, I’m back.

Burt puts a pile of rocks on the table near the bowl of candy.

LUANN: What are you doing with those rocks?

BURT: That Brown kid is coming down the street. He’s such a blockhead, his costume has about 50 extra holes in it. Match the ones in his head.

LUANN: Burt! He’s such a sweet little boy!

BURT: Yeah, such a sweet little boy. When’s the last time he cleaned up after his dog? That damn beagle keeps leaving piles in the front yard. And how did a dog get those goggles and that scarf anyway?

Burt opens the door a crack and peeks out.

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BURT: Yeah, yeah, here he comes. You want a trick or treat? I got a trick for ya. (Quickly shuts the door.)

LUANN: Burt, really!

BURT: Shhh shhh here they come! (Bell rings)

Burt opens the door and a group of kids, including Charlie Brown, yell trick or treat.

BURT: Here you are, you cute little goblins! (He gives each in turn a piece of candy, except for Charlie Brown, who gets a rock.)

Burt closes the door, smiling a nasty grin.

LUANN: Burt! That was horrible! He’s just a little boy!

BURT: He’s lucky I gave him a rock and not one of his dog’s turds. I’ve got a dozen of them on the lawn.

Burt goes to the window, sees the kids comparing their candy and opens it a crack, just in time to hear Charlie Brown say “I got a rock.”

BURT: Serves you right, you little bald blockhead.

THE END

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Hollywood Russell in Visons of Sugar Plums

25 Dec

NEW! December 24, 2015
Please be sure to read the notes in the comments section.

HR visions of sugar plums

Marty the bartender

“You lookin’ for Russell? Yeah, he meets lots of guys here. A lot of guys been coming around lately too. Hollywood- that’s Mr. Russell’s name, believe it? He ain’t been around much. You might catch his secretary if you show up in the morning, his office is right down the block, but you don’t look like no regular business hours kind of guy, am I right?

No, no, she’s strictly hands off, and brother, she knows how to take them off if any mook’s dumb enough to try. Anyway Mac, Hollywood’s a pal of mine, he’s bound to show up sooner or later, I’ll tell him you’re lookin’ for him. Who should I say is doin’ the lookin’

Hey, I don’t know nothin’ and I don’t want to know nothin’. That’s between you and the lamppost. I’ll pass on the message for free but you owe me for that beer.”

_____________

Tommy at the newsstand

“OK, that’s the racing form and the Daily Standard. What? The numbers? I don’t know what you’re talking about. No, no, I… maybe I did hear something a little while ago, if that was a flash of green I saw.

Hollywood Russell, the PI? Look, he doesn’t care about the numbers, doesn’t play ‘em and doesn’t give me a hard time about working them. None of his business. Straight shooter.

Yeah, fifth floor. You can see the widow right there. See? It says ‘Russell, Private Investigator” in fancy gold letters. He stops here once a day, every day. Gets his paper and sometimes a smoke. But he hasn’t been by in a few days. That just means he’s on a big case. Let me tell, you, that guy doesn’t stop until the final curtain.”

_____________

Hollywood Russell’s secretary

“Look mister, I can make an appointment for you but it won’t do you any good. He’s on an important case and it takes up all of his time.

Yeah, life or death. You know how many guys come in here with that story? Give it to me straight. Your wife cheating on you or you owe some money you can’t pay and you want Mr. Russell to make it go away?

OK, look wiseguy, if you promise to go away I’ll do you a favor. Take this card. That’s a colleague of Mr. Russell’s. What? Sheesh, that means they work together sometimes. His office is over near the bridge.

Hey, it’s up to you. There’s always the police you know…”

_____________

Mitch Baleen

“I gotta tell you my friend, you made the right choice. If Mitch Baleen can’t solve your problem there isn’t a solution. Don’t let this office fool you, I am the TOP investigator in this city. I got more ears than J Edgar Hoover. What’s the scoop?

Hollywood Russell? What are you wasting your time with him for? You got me!

Personal, huh? I get it. Means “no fee.” OK, hey, what’s with the gat? I know Hollywood but it’s not like he’s my brother. I heard there was a shootout a few days ago with the Manelli Brothers. Big car chase too. The whole lot of them ended up in the hospital. Henchley Hospital.

No, I haven’t heard from Russell. For all I know he’s in there too.

You uh, you’re not planning to make it permanent, are you?”

_____________

Beat officer

“Yes, and for the last time listen. Yes, this is a public hospital and yes, I know you say your ‘dear sainted mother’ is in here, but no, her name isn’t on any list I seen here so no, I’m not letting you out of this lobby.

Baleen? Why didn’t you tell me he sent you? Oh! On a case, undercover. I get it. Pass it on to Baleen that I helped you out, OK? His brother-in-law is the Chief.

I don’t know exactly who is in that ward, all I know is that after the Manelli Brothers shot it out with that shamus, Hollywood Russell, they shot up half of the warehouse district. Russell chased them through every back alley, dirt road, and blacktop street from Bellows to Fifth. Lord knows how many bullets ended up in any of them but the chase didn’t stop until the Manelli’s car smashed into a sedan at Freemont Avenue. Family out for a drive, poor kids.

OK, sure, yeah, down the hall and to the left, second door. That’s where the survivors are. It was really bad.”

______________

Hollywood Russell and Sugar Plum

Sugar Plum lay in bed, asleep. Her blonde hair, normally in lazy waves, was pulled back so it didn’t fall over her forehead. There was a bandage there. The light was off in the room. Sugar Plum wasn’t awake much and I guess I’m just used to sitting in the dark. Occupational hazard, you can call it. The doctors turn it on when they come in and I shut it when they leave.

They haven’t come by much lately.

It was late enough to get me thinking about sending someone out to the cafeteria for a sandwich when I heard footsteps coming down the hall. They were soft. Not the click click of nurse’s shoes and not the measured treads of the doctor’s.

I thought I’d seen the Manelli case through to the end, but it was about to come to a conclusion.

I got up and moved to the left of the door. In a few seconds it opened and a man took a slow step inside.

I waited.

“Blondie, I don’t know where Hollywood Russell is and it don’t look like you can tell me. I’m not going to hang around so why don’t you give him this message for me?”

He raised a gun and that’s when I jumped out of the shadows. I’d tell you that I had his gun out of his hand and the rest of him on the floor in two seconds flat but that wouldn’t be true. It’s enough that I got him, and my bruises will heal.

But none of that mattered. What did matter was that when Sugar Plum woke up I was in the same place I was for the last four days, in a chair right next to her bed.

“Hollywood?” She turned her head and saw me. Her eyes were a little glassy and her smile was lopsided. I reached out and smoothed her hair.

“Hi Sugar Plum. Sleep well?”

“I had that dream again.” Then the tears began. I held her close and whispered in her ear, things that are only between me and her.

She sobbed. Looked at the hospital room, looked at me. “That terrible dream!” She sobbed some more.

The doctors say she might be in the hospital for the better part of a month. What the social workers say is worse.

I wrapped the little girl in my big arms and rocked her back and forth. I was going to be her world for a while.

After all, she’s only 8 years old and I’m all she has.

 

 

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