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Tag Archives: kirk

The Best Line Ever Written In All Of Star Trek

3 Dec

December 3, 2018

Back in 2015 I introduced you to The Worst Line Ever Written In All Of Star Wars (“space diapers.”)

Today I’d like to introduce you to The Best Line Ever Written In All Of Star Trek. And appropriately, it comes from The Best Film Ever Made In All Of Star Trek, Star Trek II: The Wrath of Khan.

(I’ll skip the spoiler warning as I’ll assume that you already know that Spock dies at the end. )

During the climactic battle with Khan, The Enterprise’s engines have been disabled and warp drive is offline. Khan, in his final act of defiance (“From hell’s heart, I stab at thee. For hate’s sake, I spit my last breath at thee”) has activated the Genesis device, which will wipe out anything it’s energy touches.

There’s some terrific writing in this scene, as the sense of impending doom is palpable. The Enterprise, flying as fast as it can, is swiftly being overtaken by the detonation and it is only a matter of minutes before everyone on the ship dies. This is driven home by Mr. Sulu, who was always  one of the more positive members of the crew. “We’re not going to make it, are we?”

Sulu looks at Captain Kirk, heroic and unstoppable, who during the course of the film discussed the many ways he’s beaten the unbeatable. Kirk, completely uncharacteristically, is sitting with his arms tightly folded across his chest, and simply looks at his son, David, a scientist behind the Genesis device.

David quietly shakes his head no.

There is doom, there is dread, and there is Mr. Scott, to whom Kirk had earlier said “Scotty, I need warp speed in three minutes or we’re all dead.”

It is a perfect Star Trek line, one we’ve heard dozens of times in the TV series. Scotty is a miracle worker. He’ll get the engines back online. He’s done exactly that in situations as bad as these many times over. It’s almost a joke. So when Captain Kirk tells Scotty he needs warp speed in three minutes, he’s pretty sure he’ll have them back in two.

But he won’t. And we know he won’t, because down in engineering Scotty is barely conscious and being treated by Dr. McCoy. We know but Kirk doesn’t. But Spock does. It is Spock who saves the ship, who sacrifices his own life. (“The needs of the many outweigh the needs of the few. Or the one.”)

But Jim Kirk doesn’t know it. So when the engines come online, the ship goes to warp speed and everyone escapes certain doom, Kirk says the best line written in all of Star Trek:

“Bless you Scotty.”

Because we know it wasn’t Scotty. We know it was Spock. We know he’s dying, probably already dead. We see his empty chair on the bridge but Kirk hasn’t seen it yet. In the moment Kirk is blessing his miracle working engineer, we the fans are already mourning his best friend’s death. The line, delivered so thankfully by Kirk, is actually painful to us watching the film.

Alfred Hitchcock defines suspense as, in a nutshell, the audience knowing something bad that the characters do not. It is us seeing the bomb under the table while the couple slowly drinks their morning coffee, oblivious to the countdown. It is good writing. And it is also good writing with us knowing Spock has died while Kirk is praising the wrong man for saving the ship.

But Kirk soon finds out, and it’s when he calls engineering to congratulate Scotty, only to hear Dr. McCoy grimly say, in what is the second best line written in all of Star Trek, “Jim… I think you better get down here.” Followed by “Better hurry.” Kirk looks at Spock’s empty chair, and he knows.

The whole ending of the film, leading up to Spock’s death, is dark and portentous. It is heavy and funerary in a way Star Trek has never gone before. This one film is full of fantastically quotable lines, from the campy “Khaaaaaan!” to the subtle “how we face death is at least as important as how we face life. ” Star Trek II is well-written in the same way every single Star Trek film since 2009 has not been

“Bless you Scotty.” The best line in all of Star Trek. Star Trek II: The Wrath of Khan, written by Jack B. Sowards and Nicholas Meyer.


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My Review of Kong: Skull Island

17 Mar

March 17, 2017

Before we begin, I’ll tell you right upfront that though I am going to try to keep the spoilers at a minimum I have a terrible track record so expect me to spoil this film for you.

This is a fun film and I enjoyed it a lot, and although it is set in the same universe as Godzilla, there is no comparison at all. Godzilla was pretty good but ultimately disappointing, this one is very good and not disappointing. Unless you want to see him climb the Empire State Building. But what do you expect? This film isn’t called Skull Island for nothing. He doesn’t go to New York.

In a nutshell, a bunch of soldiers and scientists land on Skull Island. The soldiers are there to help the scientists with a “geological survey,” which was just a lie to flush the monsters above ground. And it works. It works really well. It works too well. Out of nowhere Kong decimates them and from there on it is a trek for the survivors to the other side of the island while dodging monsters and beasts, but for one man it becomes an obsession to kill Kong. (And of course that man is Samuel L. Jackson. The subtitle of this film should be King Kong vs. Samuel L. Jackson.) Will he kill Kong? (No. See? I told you I’d spoil it.) Will the humans make it to the safety of the other end of the island? (Some of them yes, most of them no.) Does Brie Larson spend most of the film in a tank top, often soaking wet? (Mercifully yes.) 

So here’s the good:

  • This film is faithful to the original from 1933, despite being a reboot and having no relation to the original. No, I am not drunk. Let me explain. This film is set during the 1970’s and details the first time outsiders set foot on the island. Take the original film- the island, the natives, the wall, Kong, etc., but now leave out Carl Denham and the rest. Imagine that they never set foot on the island. In Skull Island, it is easy to believe that this is what the original island would be like if no one else ever set foot on it. Sure, they updated it a bit, but this is clearly the same island. Also, the film opens with the sound of old airplanes and machine gun sounds over the credits, which leads into the first scene of a WWII air battle, but I also found it to be a homage to the climax of the original film.
  • It can actually be compared to Apocalypse Now. Yes, really, and I am not just talking about the posters. 
    Skull Island generally follows the same basic plot as Apocalypse Now. A group of Vietnam-era soldiers in an untamed jungle doggedly moving upriver and through more and more danger to a climax with a mad colonel. True, Apocalypse Now doesn’t have a giant ape, but it does have Marlon Brando, so I call that a tie.
  • The first action sequence with Kong vs the helicopters is awesome. You will love it.
  • John C. Reilly is hands down the most fun character in the film. If you know him from Adult Swim’s Check It Out, his character is about 60% Dr. Steve Brule. If that means nothing to you, go to YouTube right now. Seriously, go. I’ll wait for you.
  • Kong is all over this film. This isn’t like Godzilla where we had a few murky shots and were constantly waiting for the monster to show up again. 
  • The soundtrack is all 1970’s classic rock. Grace Slick! Black Sabbath! The Hollies! 

And here’s the bad. But it isn’t too bad. 

  • There were no dinosaurs. In every King Kong film, even the ones from Japan where he fights robots, he fights dinosaurs. And although I said above that the island is identical to the original, this is the one exception. No dinosaurs. Kong did fight a lot of reptilian skull crushers, but they looked more like those lame MUTOS Godzilla fought in his last American film than Dinosaurs. And while that makes sense since they are set in the same cinematic universe, it was a glaring omission. King Kong fights dinosaurs! (That will be rectified when King Kong vs. Godzilla comes out in a few years.) 

This is the real problem I had with the film: It had no heart. You didn’t root for Kong. There was no “humanity” in him as there was in every other version of the giant ape. This Kong is just gruff. And it is understandable since he is an orphan who spends his life fighting other monsters. But it doesn’t make you root for him. He protected the humans in this film but never seemed to like them or have any connection to any other human. The film tried to make up for that by giving one of the human characters a tear-jerker ending and it worked, if the intent was to make everyone leave the film feeling good, but it did nothing to make us like Kong. 

Like the original, the female lead ended up in the ape’s palm, but unlike the other versions this was a rescue and there was no connection between them. It wouldn’t have surprised me if Kong just dumped her back in the water. 

This was a fun film and a good action film. This may not be the Kong that you remember or the Kong that you want, but it works. You get your money’s worth. And since we already know that King Kong vs. Godzilla is going to be made, my geeky fanboy take on that after seeing both monsters in action, is Kong will easily take out Godzilla.

Just like Kirk would beat Picard in a fight.

Here’s Brie Larson in a tank top. Think I’d leave you hanging? That ought to sell some tickets. Tell ’em Mr. Blog sent you.

 

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