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Groucho Marx, circa 1976-1977

16 Dec

December 16, 2010

The 1970’s were a great time to be Groucho Marx.

Unless you were Groucho Marx.

Groucho died on August 18, 1977, at the age of 86. By all accounts he was unhappy in his personal life, although his career had undergone a celebratory resurgence. By some accounts, he may have been a bit senile. It was generally understood then as well as now that he was being pushed past the point of what was physically good for his health by his much younger companion, Erin Fleming. Groucho, thrice divorced, was 86. Fleming was 35. By the 1980’s, several lawsuits brought against her by the Marx estate were settled in the estate’s favor, including a payment of nearly a half million dollars to Arthur Marx, Groucho’s son.

While Groucho’s health was on a downswing, leaving the comedian thin and gaunt, his voice nearly a whisper, his image and humor had become a cultural touchstone. Some of the biggest stars of the biggest sitcoms of the 1970’s were huge fans and it was not unusual for Groucho and Marx Brothers impressions to turn up on television. Groucho had become a cultural touchstone for a new generation who discovered him in late night movies.


From M*A*S*H, episode Yankee Doodle Doctor:
 

 

Alan Alda, Gary Burghoff, Marcia Strassman, Wayne Rogers

From All in the Family, episode Where’s Archie? part 1:

 

Rob Reiner, Betty Garrett, Jean Stapleton

Welcome Back Kotter featured Gabe Kaplan’s Groucho impression in nearly every episode, and Robert Hegyes patterned his performance on Chico. Here are the two of them portraying the Brothers on stage for Gabe Kaplan’s Groucho stage show.

Gabe Kaplan, Robert Hegyes

While Groucho seemed to be all over television, at least in the form of his persona, the real Groucho was set to make a guest appearance on Welcome Back Kotter. Kotter, it should be noted, also starred Marcia Strassman, who was part of the Yankee Doodle Doctor M*A*S*H hijinks a few years earlier. Now just a few months before his death, Groucho had to be helped onto the Kotter set, where the audience, expecting the grease paint mustache, duck walk, and rapid-fire zingers of his younger days did not recognize him and even the cast was shocked by his appearance. Robert Hegyes, especially, was affected, wondering aloud how he could go on with the show and do his usual Chico Marx impression after seeing Groucho that way. The cameo was nixed and only a few publicity photos were taken with the cast. However, Groucho’s appearance was so disturbing that the pictures have never been released.

Groucho’s last appearance, one year previously at age 85, was a one and a half-minute sketch with George Burns (then 80 years old himself) on a 1976 Bob Hope television special. The program demonstrated with both perfect genius and utter sadness the two sides of Groucho in the 1970’s. On the one hand we see the real, frail Groucho, sitting on a chair and feeding straight lines to George Burns in a raspy whisper. On the other hand is Billy Barty, dressed as Groucho in his prime, wearing grease paint features, smoking a cigar, and chasing women. It seems that the producers felt that without Barty in the sketch as Groucho “as a young boy” no one would recognize the real Groucho Marx.

Check the sketch out here, at about the 18:20 mark, until YouTube takes it down again.

hope, burns, marx

Groucho had lived long enough to be eclipsed by his own legend. A legend which, unlike Groucho, had not aged in 40 years.

Thank you, Captain Spaulding. Goodbye, Doctor Hackenbush. Rest in Peace Rufus T. Firefly. This is how we’ll remember you:

“Sometimes, dead is better.” – Pet Sematary

9 Dec
December 9, 2010

“I showed him how God wanted him to have a swell time while he was alive. Because, brothers and sisters, when you is gone, you is gone. And ain’t no way , no how, nobody’s going to bring you back here once you is dead!”- Love at First Bite

Ever see Love at First Bite? Great film, really, a great film. It stars George Hamilton as a very tan Count Dracula who relocates from Transylvania to New York in the 1970’s and hits the disco scene. In my opinion it is George Hamilton’s greatest film, but that isn’t saying much. (It is, however, more than a bit funnier than Godfather III.) Leslie Nielsen took a stab at Dracula, so to speak, in Dracula: Dead and Loving It but no offense, the Hamilton film is funnier. (“Children of the night, shut up!”)

Dracula is so iconic a character that he may never die. He may have been plugged by hundreds of wooden stakes, but plug “Dracula” into imdb.com and you get nineteen exact matches, not counting partial matches and all the films in which the Count is not in the title. The actors who played Dracula have not fared as well, Bela Lugosi, John Carradine, Leslie Nielsen, and many more, are all gone. Luckily, Christopher Lee is still alive and acting, but there will never again be another film starring Lon Chaney Jr., not to mention John Wayne, Marlon Brando, or even Elvis. And for those of us who saw him in A Change of Habit, that’s a loss to comedy. I will now quote myself:

Elvis once said “Only the only thing worse than watching a bad movie is being in one.” And he should know.

In “Change of Habit,” 1969, he starred as “Dr. Edward Pelvis,” a hip psychotherapist simultaneously wooing a nun played totally unconvincingly by Mary Tyler Moore and curing a young autistic girl by slapping her around. Yes, by slapping her around. There are plenty of scenes of Moore and her hip nun friends getting involved in civic events, scenes of Pelvis and Moore picnicking, and plenty of scenes of Pelvis slapping the poor autistic girl while saying “I love you.” Slap! “I love you.” Slap! I AM NOT MAKING THIS UP! SEE FOR YOURSELF!

TRIVIA: This is the only feature film starring Elvis Presley which wasn’t released theatrically in Finland. Those Fins, always getting left out. Did you know that only last week they found out that Rosebud was Citizen Kane’s sled?

Abbott and Costello will never update “Who’s on First?” for free-agency, Al Jolsen will never sing Public Enemy’s “911 is a Joke,” and Theda Bara will never get her own sitcom.

“I showed him how God wanted him to have a swell time while he was alive. Because, brothers and sisters, when you is gone, you is gone. And ain’t no way , no how, nobody’s going to bring you back here once you is dead!”

Oh really?

You can't make this stuff up.

What is he thinking? Who does he think he is? Sure, he gave us Darth Vader, but he also gave us Howard the Duck. He may have created the Empire, but he is also responsible for Howard the Duck. THX sound technology is his, but so is Howard the Duck. He also produced Howard the Duck.

So now we may all get the chance to see Charlton Heston dance to “Poker Face.

Think about it. Christopher Reeve may fly again as Superman. Or he may show up in a Willow sequel. Really, this is all up to George Lucas and his wild and wacky imagination.

Of course, odds are he’ll show up as a Jedi first in a bad Star Wars film.
Sir John Gielgud will appear in an episode of Tyler Perry’s House of Payne.
John Cazale in Weekend at Bernie’s IV.
Ricky Ricardo and Margaret Dumont in a remake of West Side Story.

There is really only one winner in all of this, a group, actually. Guys like Rich Little, Fred Travalena, people who do impressions, because Lucas may have the images but he needs someone to voice them.

What, you say that Fred Travalena died in 2009? Then I’ve got to go. I need to brush up on my Travalena impression for when George Lucas brings him back for the New Dean Martin Celebrity Roasts.