Tag Archives: World War II

A New York Legend

19 Sep

September 19, 2011

Today’s post is a tantalizing tale of imponderable probability and vague veracity. Settle in for The Mad Nazi and the Invisible Bridge of Mid-Town Manhattan.

During the post-war building boom the New York skyline reached for the stars. Great towers of steel and glass soared as city real estate became scarce. Land barons and moguls found themselves boxed in shoulder to shoulder with their neighbors in the crowded city, unable to expand their holdings. But even if they could not expand horizontally, they could still reach for the sky. The height of their buildings was limited only by manpower, materials, and imagination.

Imagination was never in short supply, and manpower was delivered by thousands of returning GI’s. One of the side-benefits of the war effort was that new materials and technology developed for the military was becoming available for civilian use. And some should never have fallen into civilian hands.

In the last days of World War II, a fiendishly brilliant but utterly mad Nazi scientist toiled in Hitler’s laboratories to create a method of making German warplanes undetectable to Allied eyes. He planned to build a new generation of war machines out of an invisible metal he was on the verge of creating. And if planes could be made invisible, so then could tanks, battleships, and ultimately even soldiers.

It was in the final stages of testing when an allied air strike destroyed the laboratory, burying the last hopes of Hitler just scant days before the planes were to go into production, and the deranged scientist himself died in the blast.

Not long after, American troops arrived and occupied the area. In a pouring rain, a lone soldier took refuge in the ruins of an old building. The soldier, a private returning from a patrol, took as much shelter as the half-collapsed building could provide, moving far back into the structure. Poking through overturned cabinets and kicking piles of ashes and half-burnt papers, his eye caught a single page, nearly uncharred, and covered with what seemed to be diagrams and blueprints for a strange new airplane. Although he couldn’t read German, he judged by the angry red words stamped across the top that he had found something important. He carefully folded it and stored it in his pack, and when the weather allowed he returned to camp, where the strange document passed from private to lieutenant to colonel, up the chain of command to general, and ultimately to a small and secret government research lab in Washington DC.

The formula the scientists interpreted was beyond even the intellect of the top US research scientists. Try as they might, none of them could create the “invisible metal” of the brilliant but insane Nazi. Out of desperation, the top army generals turned to the one man capable of synthesizing the complex chemical compound. He was a young genius, a whiz kid of science, whose New York chemical company was the centerpiece of scientific advancement. He had led his company in creating many innovations for the government during the war, and his rapidly growing Manhattan offices now occupied most of the floors of two gleaming skyscrapers that stood directly across from each other on either side of a busy mid-town avenue.

The brilliant chemist was not only able to follow the mad Nazi’s work, he continued it, creating dozens of invisible metal prototypes, many of which graced the offices of powerful congressmen and senators. And not only was they invisible, but any metal infused with the compound became extremely strong and flexible.

The first practical demonstration of the invisible wonder metal was to be a bridge connecting the two office towers, spanning the busy metropolitan street below. No longer would the scientist have to dodge crowds and taxis while going from one department to another, the invisible walkway would make his company whole, allowing him to stride on the sunlight 20 stories above the traffic.

Being a military project, the bridge was built in secret, at night, and it took far shorter than expected because the metal was so easy to work with. In a matter of mere days the span was completed and top ranking officials flew in to New York to witness the unveiling.

All was ready, final tests had been completed, and just hours before the bridge was to open, a junior laboratory assistant rushed into the company’s head office and, with a force that dented the desktop, smacked the final test results down on the head scientist’s desk. A terrible discovery had been made.

Prolonged exposure to direct sunlight made the metal react with oxygen, turning it weak and brittle, though still maintaining invisibility,

It was a devastating blow. The government cancelled their contracts, and all the money that was poured into the invisible metal project was never recouped. The company was ruined, and no one ever crossed the invisible bridge in the sky. It was classified a military secret and all documents pertaining to it were confiscated.

The chemical company sold one skyscraper, then the other, and though it limped along for a few more years they eventually went bankrupt and the amazing wonder kid of the scientific world killed himself by jumping off the Brooklyn Bridge.

The buildings went through a succession of owners and tenant after tenant took over the chemical offices. None of them knew that just below a certain window lay an invisible walkway, and the bridge, whose existence was known only to a very few to begin with, was forgotten and lost to memory.

The only records of it can be found in certain old and dusty documents filed in the bowels of the National Archives, and for six decades the bridge has been high in the sky, like an invisible Sword of Damocles, hanging above the heads of the unknowing throngs below.

The few in government who have been around long enough to remember the bridge refuse to discuss it. If pushed, they will tell you it is only a myth. After all, would you tell the people of Manhattan that a brittle and nearly collapsing invisible bridge twenty stories in the air might come crashing down at any time as they crossed a certain busy street in mid-town Manhattan?

This New York Legend comes to you courtesy of a New York radio legend, overnight icon and late-night radio pioneer, Long John Nebel, with flourishes and embellishment by yours truly.

Cue mysterious laughter.

An audio version of this legend first appeared just last week in the amazing FlashPulp website. Check them out for awesomeness and goodies!

Wasei Kingu Kongu tai Gojira

8 Jul

July 8, 2011

I have always loved monster movies, especially old ones. Big apes, giant dinosaurs, ants, I love them all. It is in my blood and if you check this site on Monday you’ll see what I mean.

King Kong and Godzilla are the top of my monster movie list. You’ll find Frankenstein and Dracula there as well, but it is the men in rubber suits, the Japanese Kaiju (“monster” or “strange beast”), as well as their cousins the giant apes, that I hold dear.

I’ve seen every one of those films a few times, most more than a few. I’ve lost count of how many times I’ve seen King Kong to the point that I won’t even estimate. Even the worst Godzilla film (Godzilla’s Revenge) I know backwards and forwards. There isn’t a Reptilicus or Konga that I don’t know.

So it came as a bit of a shock to me when I discovered that there were two King Kong films that I never even heard of, let alone saw. I can be forgiven for not seeing them because they are lost films, likely destroyed in the bombing of Japan during World War II, but how could I have never even heard of a pair of Japanese King Kong films that predate Godzilla by over a decade and a half?

Not much is known about King Kong Appears in Edo, from 1938. This was an unauthorized Kong film in which the giant ape attacks medieval Tokyo (Edo.) Little is known about the film other than what can be gleaned from the movie poster above. It apparently featured the monster fighting samurai. (WHY is this film lost?!) We do know that the man who created the original Godzilla suit (Fuminori Ohashi) worked on the King Kong suit and he claims that many special effects that later became standard in Kaiju films were created for this film. By “special effects” I am sure he means “rubber suits and cardboard cities.”

As amazing as I found all of that, I was more amazed to find that there was an even earlier Japanese King Kong film, Wasei Kingu Kongu. (That translates as Japanese King Kong. Seriously.) This one was a 1933 silent film. It must have been rushed because it was put out the same year as the original. All that seems to remain is a single still. It was released by the same company that distributed the original King Kong in Japan, but it was made without RKO’s permission.

This was only the beginning. Late night research about these movies led to the solution of another King Kong mystery, one that had always bothered me.

King Kong Escapes (1967) is a strange movie. Although like the lost Kong films it is Japanese, this one was authorized. It plays nothing like the American King Kong and Son of Kong, but very much like the Japanese Godzilla movies. However, it has nothing to do with the Japanese King Kong vs. Godzilla of 1962. Confused? This next bit won’t help.

The plot revolves around bad guy Doctor Who, who has nothing to do with the BBC time traveler. However, when you consider the close physical resemblance between this film’s Doctor Who and William Hartnell as Doctor Who, there has to be more to it than mere coincidence.

Plot-wise, Doctor Who is using a robot King Kong (Mechani-Kong) to mine “Element X” but the robot proves unable to function due to the element’s extreme radioactivity. At the same time, a submarine crew finds the real King Kong on an island fighting various rubbery monsters. Doctor Who hypnotizes Kong to work for him mining Element X, Kong gets free, battles Mechani-Kong, and (of course) climbs a tall tower and falls for a girl. If you guessed that Kong wins and goes back to his island, join the crowd.


I have always wondered why this film was so unlike every other Kong film I ever saw, even King Kong vs. Godzilla. After all, they were both made by Toho. I was extremely curious about the blatant William Hartnell rip-off. Well, as I looked into the lost films, I found out that this film was based on the American Rankin/Bass King Kong cartoon, The King Kong Show. As the clip below shows, this was a very strange version of King Kong (but not too far off from the 1978 Hanna-Barbera Godzilla cartoon, strangely enough.) Doctor Who was the bad guy on the show. This cartoon only produced 25 episodes, too short for syndication, so that explains why I never saw it. It finished airing a year before I was born. As you’ll see at the end of this post, the cartoon Doctor Who looked nothing at all like the movie version, strongly implying that the resemblance to the BBC character was intentional. There were two big screen versions of Doctor Who featuring Peter Cushing in 1965 and 1966, so if in 1967 it looked like there was another big screen Doctor Who adventure, would the producers of King Kong Escapes be upset if a few extra people bought tickets thinking they were going to see the TARDIS and Daleks? I doubt it.


So my research solved a King Kong mystery, but brought up even more King Kong/Godzilla connections that I never knew.

Before King Kong Escapes, there was supposed to have been yet another King Kong Toho movie. However, because Godzilla was hugely popular, the world never saw King Kong vs. Ebirah but instead watched Godzilla vs. The Sea Monster. Basically, that title tells you all you need to know about the film. (Eibrah is a giant lobster.) If you saw the film you may have noticed that Godzilla acts out of character. He shows interest in a woman, throws boulders instead of using his fiery breath, and draws strength from electricity. Out of character for Godzilla, those traits were all established for King Kong in King Kong vs. Godzilla. They did almost nothing to alter the script but change the names. (King Kong gaining strength from lightening was added to make him more of a match for Godzilla, who spent much of the film roasting Kong with his breath until Kong amped up.)


Godzilla has a history of pinch-hitting. I also found out that the monster was never meant to be in Godzilla vs. Megalon. That film devotes a lot of screen time to Jet Jaguar, a fairly typical Japanese robot. It was the winning creation of a fan contest and was going to be the star of Jet Jaguar vs. Megalon. However, it was felt, and probably correctly, that the film needed a little more star power so Godzilla was added, and with a second hero (Godzilla was a good guy around this time) came a second villain, Gigan. By the way, if you have never seen the Mystery Science Theater 3000 version of that film, I urge you to finish this blog and then look it up on YouTube. It is that good. In fact, do yourself and the economy a favor and buy the DVD. You’ll thank me.

If you are wondering where the King Kong connection is, check out the movie poster for the American release:

Could they be any more blatantly misleading?

So there you have it. A chance peek at a list of lost films at 4am led to a sleepless morning of looking up monster movie trivia. Par for the course, really. One last thing I discovered is that what went on behind the scenes of a Godzilla movie was often more interesting than what went on the screen, especially if you are watching Son of Godzilla or the mind-numbing Godzilla’s Revenge.

Before you go, here is a fantastic 1967 Japanese magazine illustration dealing with the King Kong cartoon and relating to King Kong Escapes. The bald guy is Doctor Who.