Tag Archives: Relic Radio

The Saturday Comics: The Shadow (Mysterious Repost)

23 Nov

from June 4, 2011

Who Knows What Evil Lurks In the Hearts Of Men?

The Shadow Knows!

I refer, of course, to perhaps the most famous show OTR ever produced.

So who was The Shadow?

“Years ago in the Orient, The Shadow learned a strange and mysterious secret, the ability to cloud men’s minds so they cannot see him”

Or “using advanced techniques that may one day be available to law-enforcement, The Shadow fights crime as invisible as the wind, as inevitable as a guilty conscience.”

In his everyday identity, The Shadow is “Lamont Cranston, wealthy young man about town.”

Or an amateur criminologist. Or sometimes he was the best friend of the police commissioner.

Usually he was just some rich guy who stumbled into plot to rob a bank, or spent the night in a haunted mansion, or ran into his double, who just happened to be newly released from prison and planned to frame Cranston for war crimes or something. The show ran for almost three decades so the quality depends on when the episode was made. It could be a supernatural show with ghosts one season, a show where Cranston foils attempts at art forgery the next season.

But it doesn’t matter. An invisible man is the perfect character on radio- everyone is invisible. It’s radio, everyone is a disembodied voice. No special effects were needed. All they did was give his voice some echo and poof! He’s The Shadow.

BAD GUY 1: We got Cranston locked up in the vault. No one can get in or out, see?
BAD GUY 2: Hey! The vault is empty! What happened?
SHADOW: Ha ha ha, Cranston is gone, I am the Shadow!
BAD GUY 1: How did you get in? And what happened to Cranston? He was here just one second ago.
 SHADOW: Heh heh heh!

Once you suspend a ton of disbelief, this is a really good show. (Please discount the story where the guy thought he was a gorilla simply because he was hairy, thank you very much.)

On the radio, The Shadow was played by a whole lot of actors, but the first one was the best, Orson Welles. He only stayed for one season but his is the voice everyone remembers.

The Shadow was so popular they made a series of movies about the character. For some reason they never turned him invisible. He was just a silly looking guy in a hat that was too big for him and long black cape that he almost tripped over. Why he didn’t turn invisible is anybody’s guess. Roll film, stop film, actor walks off set, start film, hey! He turned invisible!

The Shadow on film was played, I swear I am not making this up, by a guy named Rod LaRoque. A better porn name is difficult to find. “Rod LaRock.” I suppose Long Cockman comes close. And while we are on the subject of dirty-sounding names, the radio Margot Lane, The Shadow’s assisstant, was first played by Agnes Moorehead.

The movie Shadow is a very different character than the radio Shadow, and for a good reason. Like the comic books and strips, the movie Shadow is based on the pulp fiction version of the character. While an invisible man is perfect for radio, it is kind of boring to watch. In print, The Shadow was a man in a dark cloak and hat. He carried a pair of guns and often used them. There was no invisibility for him, this Shadow had to rely on a perfect skill of disguise. And this Shadow wasn’t even Lamont Cranston, he just pretended to be. Confused?

There was a Lamont Cranston in the pulps and the Shadow did claim to be him but he wasn’t. It was a disguise. The real Cranston was a wealthy playboy. He was usually travelling around the world or away at some glamorous resort. His high-class connections were just what the shadow needed to open doors so while Cranston was away, The Shadow would assume his identity.

The real identity of the Shadow, and you didn’t hear it from me, was Kent Allard, a World War One Aviator.

In addition to the pulps there were many comic book versions of The Shadow, and one of the best was put out by DC in the 1970’s, written by the legendary Denny O’Neil and often illustrated by the equally legendary Michael William Kaluta. And since this was a DC comic, he even met Batman. In fact, Batman claimed it was The Shadow who influenced him to fight crime.

But this is a Saturday Comics installment so let’s tear ourselves away from the comics (which I have a complete set of, including those Batman issues) and look at the rarely seen newspaper strip.

These are pretty hard to find. The strip began in 1940 and ended just two years later when World War Two broke out and the strip’s creators were drafted. Examples are hard to find online but luckily I have my own collection.

Some years ago in the 80’s the strips were collected in comic book form. the paper they were printed on was cheap even by comic book standards and my issues are all very, very yellow, much worse than other comics from the same era. The pages were even printed crooked!

I can’t vouch that the strips are formatted the same way they were as originally printed. Compare the dimensions to the strip above and you’ll see why I have doubts. I am also afraid some panels, like the title panel in the strip above, have been removed totally. At any rate, the odds are you have not seen these strips so sit back and check out an OTR legend and comic strip rarity, The Shadow!

 

Superman. A Historical Perpective.

11 Sep

This is a short piece I put up on my favorite Old Time Radio forum, Relic Radio.

September 10, 2013

Many people here comment on what they learned about society from the OTR era through radio shows. Listening to an episode of The Adventures of Superman brought home the economic realities of today, as well as yesterday.

I’m currently listening to the Scarlet Widow arc. (In a nutshell, she has stolen a chunk of kryptonite and is going to sell it to the four most dangerous criminals in Metropolis. This leads directly into the famous Atom Man story.) Every show ends with the announcer stating that for more Superman, you can check your daily newspaper and, almost as an afterthought, that Superman is also published by DC Comics.

Superman GANow today, the last place you’d go to find Superman is the newspaper. In fact, newspapers are a quickly dying industry. But then, pre-internet, more people got their news from newspapers than from television (a large percentage of homes had no televisions), and newspapers were likely ahead of radio in terms of where people got their news. Sure, people turned to radio for up-to-the-minute and breaking news, plus of course war reports from the front, but newspapers were still cemented in culture and remember- this was still a time when upper-class men would go to clubs and actually sit in an easy chair and read the paper, at times. Superman was syndicated across the country and while adults may or may not have listened to the radio show, I wouldn’t doubt that they stopped on the comics’ page to see what Clark Kent was up to while they flipped between business and sports.

In addition to OTR, this was also the era of the classic comic strip, with Alex Raymond’s gorgeous Flash Gordon art and Milt Caniff’s Terry and the Pirates (and later, Steve Canyon) gracing the page alongside Popeye, Blondie, and Archie.

I have no statistics, but I am sure that more people knew Superman from radio than newspapers, and I know for sure that more knew him from radio than comics. Remember- radio, not comics, introduced Kryptonite, Jimmy Olsen, and Perry White, not to mention “Look! Up in the sky!”  Comics took their lead from radio.

superman1LG

Alex Ross art

We think of Superman as a comic book hero today, but although he started in comics, it was nothing to be proud of back then. Comics from the OTR era today fetch good money, but there was no collector’s market back then. Comic books were routinely tossed around, stuffed in back pockets, buried in backyards, and not one person thought you could sell them for big money someday.  In fact, that would have been a laughable idea. Comics began as cheap reprints. Reprints of newspaper comics. While decades later gorgeous artwork from the likes of Alex Ross would grace comic covers, Jack “King” Kirby and Will Eisner were  a couple of decades away from becoming comic superstars. Even in the era when Captain Marvel was selling 1.3 million copies each month, far more than Superman, comics were looked down upon, far more than they are today. (By comparison, last month’s Superman Unchained sold 165,754 copies. That’s about 1.15 million fewer than Captain Marvel. This in an era when comics are acknowledged as art and literature!) And lurking ahead in the next decade, Fredric Wertham was ready totally wipe out comics. He nearly did, too.

Just as an aside, in terms of movies, the Superman serial had not quite hit, though the amazing Fleischer cartoons were in theaters, and TV? No George Reeve show yet.

OTR-era giveaway

OTR-era giveaway

So from one line of promotion at the end of an episode of Superman, you can extrapolate a whole vision of society, and contrast it to the realities of today. Superman has outlasted his radio and newspaper roots, and he’s likely to outlive his comic book history too. Chalk one up for truth, justice, and the American way.

 

superman float 1940