Tag Archives: bad movies

The Saturday Comics: Howard the Duck

18 Jun

June 18, 2011

If Mr. Blog’s Tepid Ride has an underlying theme or philosophy, it is that “life’s most serious moments and most incredibly dumb moments are often distinguishable only by a momentary point of view.” I’d love to boldly lie and take credit for that but I can’t, it was said by Steve Gerber, the late creator of Howard the Duck.

The blog actually does have a tagline, “an absurd look at the absurdities of this absurd world” and if you want to know what Howard the Duck would think of that, check out his first appearance from 1973’s Adventure into Fear #19. (Yes, he actually debuted in a melodramatically titled horror comic.)

He then moved to the comic whose title has launched a million lousy jokes, Giant-Size Man-Thing, and then, mercifully, to his own title in 1976.

However, outside of the comics world, and very often inside, Howard the Duck is better known for the atrocious 1986 film starring Lea Thompson. It was a Lucasfilm production and I’d say George Lucas should be ashamed of himself, but he went on to make The Phantom Menace so it is quite clear that the man has no shame.

For those of you who don’t know Howard, here is a brief wiki-duction:

Howard the Duck, as his name suggests, is a three-foot-tall anthropomorphic duck. He generally wears a tie and shirt, and is almost always found smoking a cigar. Originally, like many cartoon ducks, he wore no pants; Disney threatened legal action due to Howard’s resemblance to Donald Duck, and Marvel redesigned that aspect of the character. [They stuck some pants on him. –ye old editor, Mr. Blog]

Howard has an irritable and cynical attitude to the often bizarre events around him; he feels there is nothing special about him except that he is a duck, and though he has no goals other than seeking comfort and to be left alone, he is often dragged into dangerous adventures simply because he is visibly unusual. His series’ tagline, “Trapped in a world he never made”, played off  the genre trappings of 1950s science fiction. A common reaction to meeting Howard the first time is a startled, “You…you’re a DUCK!”

Howard’s adventures are generally social satires, while a few are parodies of genre fiction with a metafictional awareness of the medium. This is diametrically opposed to screenwriter Gloria Katz, who in adapting the comic to the screen declared, “It’s a film about a duck from outer space… It’s not supposed to be an existential experience”.

There is no relation to Pierre D. Duck.

Howard’s adventures tended to favor the more literate fans:

Seemingly an autodidact, Howard at various times references Georg Wilhelm Friedrich Hegel, Albert Camus (whose novel The Stranger Gerber considers the principal influence on the series), the Brontë sisters, and other figures of philosophical and political significance.

If you’ll pardon my cynicism, that’s probably why today he is mainly a cult character and not more popular or well-known. Even the newspaper strip lasted only about a year, replaced by the much more popular Incredible Hulk, whose movie franchise is only slightly better than Howard the Duck. The strips below were thankfully not based on the lousy movie but came out almost a decade earlier, based on the comic and it was written by Steve Gerber himself before some disputes (which tended to dog him when it came to Howard the Duck) arose between him and Marvel, and comic veteran and legend Marv Wolfman took over scripting duties.

Rarely seen now, these strips were rarely seen even when in production since the series was picked up by only a handful of newspapers. Enjoy!

by Steve Gerber and co-creator Val Mayerik

by Steve Gerber and the legendary Gene Colan

by Marv Wolfman and Alan Kupperberg

Late Night Movie House of Crap Double Monster Mayhem: Konga and Gorgo.

6 Apr

NEW April 6, 2011

King Kong and Godzilla. Gamera. Even Cloverfield. We love them all, yet what is the appeal of the giant monster movie?

Godzilla (1954) was a strange piece of Japanese social commentary. Created by the radiation from the atomic bombs dropped during World War II, Godzilla was a parable about the horrors of nuclear war. In subsequent films the monster became a symbol of Western imperialism, Japanese patriotism, and a defender of Mother Earth.

The giant ants of Them! (also 1954- obviously a banner year for giant mutations) were even more explicit anti-atom bomb metaphors, this time on the United States side of the Pacific. Both Godzilla and Them! were unabashed in their message.

The most famous monster was also the first, outside of some impressive stop-motion dinosaurs some years earlier. King Kong (1933) has been interpreted in various ways. Notably, certain critics see a clear racist message in it, though I think it is a far stretch. At any rate, whatever messages it may have contained were very much out the window by the time King Kong Escapes (1967) rolled around.

Even the silly, kid-friendly flying turtle known as Gamera (1965) began as a nuclear-spawned menace and, like Godzilla before him, turned into a protector of nature.

However, those are big issues. Mr. Blog is not here for those. The Editors and Staff of Mr. Blog’s Tepid Ride did not watch Terror of MechaGodzilla for social commentary.

So what is the appeal of the giant monster movie?

We watch them to see guys in rubber suits knocking over cardboard cities.

Late Night Movie House of Crap presents Konga and Gorgo.

Konga (1961) is about an ape named Konga (yes, an ape coincidentally and totally believably named Konga) who, due to a scientific experiment gone horribly, horribly wrong, grows to giant size and knocks over several cardboard buildings. The catch this time is that it is not Tokyo or New York getting crushed, it is London. And while the original Godzilla had Raymond Burr Konga has Michael Gough. Yep, that’s Alfred the butler playing the bad guy. Watch the trailer and make sure to spare some love for the horrible, horrible ape suit.

Oh those wacky Brits.

Not content to rip off King Kong, they went ahead and ripped off Godzilla.

Gorgo (also 1961- obviously another banner year for giant mutations)  is actually (slightly)  deeper than the average monster movie. Yes, it has a giant dinosaur from the sea like Godzilla, and yes, it has an annoying kid like Gamera, and yes, it tears up a city like every other rubber monster out there, but this has a twist: It is about parenthood.

Far be it from me to spoil a cheesy movie from fifty years ago, but what the heck? The monster is only a baby and the parents are looking to get him back. If this sounds a lot like Gappa the Triphibian Monster (1967, Japan) then yeah, I mix them up all the time too. It is a cross we must bear.

If you watched either of those trailers and looked for subtlety, for social commentary, then these films are not for you. If you like silly suits, paper-thin plots, bad acting, and not-so-special effects, then pull up a chair my friend.