Tag Archives: science fiction

My Review of Terra Nova

18 Jan

January 18, 2011

Ever wonder what Jurassic Park would be like without the dinosaurs? Wonder no more as FOX presents Terra Nova, the gripping semi-drama of an extended camping trip on prehistoric almost-Earth.

The show opens in the year 2149. The air is polluted, huge multinationals have created mega-cities, and there is a strict policy of two children per family. OH, sorry, that’s 2012 Asia. Anyway, the premise of the show is that the Shannon family managed to escape into the past and start anew on prehistoric Earth. Good thing too, because as any sci-fi fan knows, the Daleks are due to invade the Earth in 2150 so they got out just in the nick of time.

It seems that in the future a Stargate- SORRY, I mean portal- has been found allowing folks to enter the time tunnel and- SORRY, I mean portal- and quantum leap- SORRY, I mean time travel- back to Jurassic Park-SORRY, I mean Earth’s Cretaceous Period- and start civilization all over again.

You may have noticed in your reading of the preceding two paragraphs that Terra Nova is long on unoriginality.

You may also be thinking that colonizing prehistoric Earth is a very bad idea with horrible repercussions for the future. Imagine all the huge changes their very presence back there would create, all the alterations of the time stream, all the screwing up of the future that every passing second multiplies. You may imagine all that but don’t bother. The deus ex machina is that the portal sends everyone to an alternate Earth. Yes, an alternate prehistoric Earth. So not only are they in the past, they are in an alternate reality, so if the creators of the show want to ignore the fact that the concentration of oxygen was different back then, and Earth’s slightly different gravity and magnetic field would create problems for people and machines alike, well, they can. And they do. Things are pretty much the same back there. I expect to see a Boy Scout troop blundering in at any time.

Terra Nova is a large colony that operates like a hippie commune with armed guards and a policy of not doing much of anything. It is pretty much like camping out. Since the portal only goes one way (at least for now) they are essentially on their own. (Except when the show decides they are not.) There also doesn’t seem to be much colonization going on. In fact, the main thing the colony does is fret about a rival group of people from the future. They’ve locked themselves in a compound in order to fend off attacks from the bad guys. Same as Falling Skies. Same as The Walking Dead. The bad guys change but the story is the same: small group of humanity trying to survive in a strange world.

The hero of Terra Nova is Jim Shannon, played by Jason O’Mara. You might remember him as the time-traveling cop from Life on Mars but judging from that show’s ratings you probably don’t. On the one hand he is amping up his sci-fi cred by appearing in two high-profile sci-fi shows but on the other hand what does he play here? Another time-traveling cop. He is close to being typecast, but he could probably clean up selling autographs at the next Comic-Con.

He’s a pretty affable guy, and when the plot calls for it, can almost pull-off tough. And that’s the problem with the show. While it has a serious sci-fi premise, the producers treat it almost like a WB show; heavy on sappy family stuff with a dollop of fluffy action. And every once in a while they toss in a dinosaur. The show is lightweight.

Terra Nova started off with high hopes but here are some reviews from later in season one:

The show was called “Stargate: SGU by Dr. Seuss” by Mark A. Perigard of the Boston Herald. Sam Wollaston of the Guardian observed that there was only one interesting character and that “A lot of the fault lies with what they have to say to each other. The script is as corny and cheesy as a family-sized portion of cheesy corn nachos.”New York Magazine reviewer Chadwick Matlin vowed never to watch the show again, saying “Sure, the premise had promise, but even masochists like us can only take so much.”

The bad guys dress like Mad Max castoffs with impeccable makeup, the good guys are all portrayed as fluffs, and while this is produced by Steven Spielberg who knows a thing or two about dinosaurs, there are not nearly enough of them to satisfy anyone.

This would be a pretty good Family Channel program.

There is hope, however. Since this is an alternate Earth in a prehistoric era, all the producers need to do in season two is introduce the Sleestaks. Trust me; the ratings would go through the roof.

The Saturday Comics: Flash Gordon by Alex Raymond

30 Dec

December 31, 2011

This is an undisputed classic character, in a classic strip, by a classic illustrator, Alex Raymond. Get the hint? This man CREATED Flash Gordon, among many other characters, and spawned legions of imitators, followers, and in fact nearly a whole genre.

I assume you know Flash Gordon. He has been constantly reinvented for every generation.

Alex Raymond’s “influence on other cartoonists was considerable during his lifetime and did not diminish after his death.” George Lucas has cited Raymond’s Flash Gordon as a major influence on his Star Wars films (which, cyclically, inspired the 1980 Flash Gordon film), while Raymond’s long shadow has fallen across the comics industry ever since his work saw print. Comics artists who have cited Raymond as a particularly significant influence on their work include Murphy Anderson, Jim Aparo, Frank Brunner, John Buscema, Gene Colan, Dick Dillin, José Luis García-López, Frank Giacoia, Bob Haney, Jack Katz, Joe Kubert, Mort Meskin, Sheldon Moldoff, Luis Garcia Mozos, Joe Orlando, John Romita Jr., Kurt Schaffenberger, Joe Sinnott, Dick Sprang and Alex Toth, among many others.

In particular, Raymond has been named as a key influence by many of the most influential and important comic book artists of all time. EC Comics-staple Al Williamson cites Raymond as a major influence, and is quoted as saying that Raymond was “the reason I became an artist”. Indeed, Williamson ultimately assisted on the Flash Gordon strips in the mid-1950s, and Rip Kirby in the mid-1960s (all post-Raymond). Key Golden Age artists credit Raymond with influencing their work. The artistic creators of Batman (Bob Kane) and Superman (Joe Shuster) credit him (alongside Milton Caniff, Billy DeBeck and Roy Crane) as having had a strong influence on their artistic development. Decades later, the herald of the Silver Age (and co-creator of most of Marvel Comics’s pantheon of heroes), Jack “King” Kirby also credits Raymond, alongside fellow strip artist Hal Foster, as a particular influence and inspiration.

I do not think I am exaggerating when I say that without this man, pop culture would be very, very different. Take for example the serials based on Flash Gordon. Their impact on films is almost as significant as the comic strip’s effect on that medium. By proxy, Alex Raymond is responsible for much of modern movie sci-fi.

Yet for someone whose impact is so far-reaching, his body of work is known more by reputation than actual first-hand knowledge. So in the name of education, enjoy this gallery of Alex Raymond’s work, focusing primarily on Flash Gordon.

Please click on the thumbnails to enlarge.