Tag Archives: OTR

The Saturday Comics: My Personal Top Ten

8 Dec

December 8, 2012

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This is my personal Top Ten Comics list. This is not a list of the best comics, most important stories, or biggest hero brawls. These comics all have some personal story or meaning for me. I’m going to buck Top Ten tradition and not count down from  ten. I’ll start with number one because as a whole, the first three comics would be all I’d need if the rest of my collection was lost. If I could only save three comics from a disaster, the first three are those comics. And I still have my original copy of almost every comic in the list.

1

FANTASTIC FOUR 320

I had given up on comics at one point. Totally dropped every series I bought, and at that time I bought nearly everything Marvel put out and about half of DC. It wasn’t the expense, and it was expensive, but it was the quality. I wasn’t enjoying them nearly enough. So I dropped every comic but- and here is my mistake- one, DC’s Star Trek. That was the one and only series I still bought. Well one day I was at the comic store and I saw FF 320. It was a classic Hulk vs. Thing battle. In the history of comics, Hulk vs. Thing is a perennial. But this was different. The Hulk was… grey. And the Thing was extra rocky, with spikes. And Crystal was back on the team? And some sort of primitive-looking she-Thing? Of course I was hooked, but above it all was Doctor Doom, leering down over the chaos. I HAD to buy that issue. And I was back into comics. Just as an aside, the story continued in that month’s Hulk, which had the worst art I ever saw, then or now, and nearly sent me right back out of comics. But I was hooked all over again.

2

AMAZING SPIDER-MAN 252

This is the famous issue where Spider-Man’s black costume debuts. That symbiote goes on to become venom, but that was in the future. This isn’t even the origin of the costume, just the first appearance. We had to wait for a later issue of Secret Wars for that. This comic comes in at number two because I could not find it anywhere at all in Brooklyn. It had so much hype that it sold out as soon as it hit the stands. And many copies didn’t even hit the stands as speculating dealers kept them for themselves. What puts this on the list is the fact that my father drove all over New Jersey, checking every newstand, magazine store, and gas station trying to find a copy for me. And late one night, he came home with three.

3

World’s Finest 271

If you are a casual reader this is a tough issue to get through. This comic combines two of my favorite things- comics and Old Time Radio. This issue tries to bring old Superman radio storylines from the 1940’s show into comic-book continuity by placing them on Earth 2, home of the older Superman who debuted in the 30’s. Atom Man, Superman’s greatest foe on the radio appears here, as well as numerous other scenes that were only transmitted on the radio and were totally unfamiliar to most readers. For most fans this comic, I’m sure, was a confusing mess, but for me, it was a perfect synthesis of two of my most enjoyable hobbies.

11While it did not make the top ten, I also have to mention Batman 253, which also combines OTR and comics, as Batman met The Shadow.

 

 

 

 

4

ALL-STAR COMICS 69/70

The one on the right, #69, might be the oldest comic I own. It is also the oldest one I remember owning. I still remember the shelf with my pile of beat-up comics right over my bed when I was a kid and I distinctly remember this one. Number 70 is the debut of the Huntress, the daughter of Earth 2’s Batman. I loved this storyline. The JSA had just gone through a “civil war” where a mind-controlled Bruce Wayne, the Commissioner of Police, enlisted old-time JSA members to bring in the “renegade” new JSA members. Hero vs Hero, the heartbreaking collapse of Bruce Wayne, and more heroes than most comics, I still love these issues.

5BATMAN 291

Batman dead?  All his greatest villains in one issue? And Lex Luthor too? Could it get any better? Yes it could. This was only the first part of a four-part story in which each villain, on “trial” in Two-Face’s underworld court, tried to take credit for Batman’s murder. This series was the victim of something that I am sure you’ve heard collector’s say before- my mother threw them out. Back in the pre-internet days I spent a lot of time tracking those issues down. BTW- they were reprinted just last year.

6

GODZILLA 11

This one is easy. Godzilla, King Kong stand-in, giant robot. This was like one of my favorite childhood movies come to comics.

7

SUPER FRIENDS 7, 8, 9

Take your pick, any issue or all of them. This is not just the arc that introduced Zan and Jayna, but it teamed the Super Friends with dozens of heroes from around the world and from different times. (Later on, DC retconned most of those heroes into The Global Guardians.) Sure the Super Friends was aimed at kids. I was a kid, and they didn’t get better than these. Just look- Four-armed aliens, dinosaurs, and the world at stake. While Zan and Jayna are near-jokes today, their debut issues were near-perfection. I literally read the covers off of them.

8

GOLD KEY STAR TREK

I had five of these issues when I was young. Many of them, especially the earliest issues, were written and drawn by people who had no conception of Star Trek beyond the bare-bones descriptions and it showed. However, like most Gold Key comics, there was a charm to them, something in their simple layouts that won fans over. But I was now a teenager and not as interested in comics as I was other things so I sold those issues, and got nowhere near what I should have for them. I didn’t care at the time but in later years as I came to appreciate comics in new ways, especially the fairly-rare Gold Key, it gnawed at me and I eventually went online and bought new copies of each issue I sold.

9
DC BLUE RIBBON DIGEST 21

DC used to put out small reprint comics, digest sized, which meant they fit almost perfectly in your back pocket. This particular one, of which I somehow own two, is a reprint of a couple of Justice Society stories and when I was young, I liked Earth 2 better than the regular continuity. The reprint work was awful, the scaled down art looked murky, the paper was the cheapest and thinnest possible, and the lettering at that size was simply hard to read. But I loved the digests, and this one in particular, because they were the trade paperbacks of their day, reprints of stories that would not be reprinted anywhere else.

10

BATMAN VS. HULK/SUPERMAN AND SPIDER-MAN

You can get these in reprints today but they won’t be in the original, over-sized format, about as big as a newspaper page. This is actually the second Superman/Spider-Man comic, but I still prefer the Batman/Hulk issue. But take your pick, there was nothing better than seeing worlds collide. Back then there were no other DC/Marvel crossovers, and no other comics you could spread out on the floor and read all day. I spent many mornings like that, laying on the living room rug reading the oversized specials. For many years, whenever I tried to sketch the Hulk, that pose from the cover is how I drew him.

HONORABLE MENTIONS

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What If? 34/ What If? 11

Issue 34 cracked me up as a kid and it cracks me up now. Issue 11 is an exercise in ego, as Stan Lee positions himself as the leader of the Fantastic Four. It was many years until I knew some behind the scenes stories about the creation of this issue, like why Steve Ditko doesn’t appear and how Jack Kirby refused to draw Roy Thomas.

Spotlight: Peter Church (2012)

2 Aug

August 2, 2012

You might remember Peter Church from his Spotlight last year. Here is what I wrote at the time:

Meet the Renaissance Man, Peter Church… Peter has spent the last six years as a repertory actor for The Classical Theatre Project (Toronto), logging thousands of performances in productions of Hamlet, Macbeth, Romeo & Juliet, Othello and A Midsummer Night’s Dream…

He also, as you are about to read, does a whole lot more. As I said last year, he’s taken something I’ve long wanted to do and actually made a go of it. I’m jealous, but on the other hand I am not nearly as talented.

He’s been busy since the last time we checked in on him. And he has not given me one reason to let go of my jealousy in the recent months. As good a person in real life as you will ever find, (although I wonder about his choice of pets), read on and see what he’s up to now. This is a man who does not let time pass him by.

And oh yeah, he’s a darn good (and smart) writer as well.

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A few years ago I became enthralled with the term Pro Bono.  More accurately, I became enthralled with its Latin origin, Pro Bono Publico, translated as “For the Public Good”. 

Andrew Knowlton / Marie Jones in “The Man who Found Out” by Algernon Blackwood

For the Public Good… I like that.  I like the idea that some things are done simply because they are extremely good for Society.  This sentiment was a large driving force behind my partners and I when we created Radio Project X (www.radioprojectX.com).  After all, no one expects to turn a profit by producing radio plays fifty years after the death of the genre!  I suppose we do get other benefits from the process… like simply getting to write and perform radio plays!  That’s pretty rare and wonderful.  We also get to laugh and work with a number of tremendously talented artists and musicians – that’s pretty rewarding and inspiring.  And I guess it can also make us feel better about being “starving artists”.  That’s to say, if I were performing every month pro bono it’d sound to my parents like I was working for free and was a sucker, but if I’m performing every month “for the Public Good”, suddenly I’m working for a cause and I’m a philanthropist. 

from “The Evolution of Money” by Neil Jones

“The Public Domain”.  That’s another concept I love.  I’ll bet we have the notion of “Pro Bono Publico” to thank for the Public Domain as well!  It’s as though we’ve collectively agreed that if a story is told and re-told enough – when it’s been handed down through generations – then it belongs to all of us; it becomes part of us.  I know the issue of copyright is a complex and controversial one, but I love the sentiment behind the Public Domain, nonetheless.

There’s a wonderful free service in Toronto called ALAS. 

This hilariously appropriate acronym stands for “Artists’ Legal Advice Services”, and they do just that: provide free legal advice to professional artists.  They, understandably, tried very hard to advise us not to do recreations of radio plays or even short-story adaptations.  They dutifully explained that even though many of the old BROADCASTS are in the Public Domain, it doesn’t necessarily mean that the SCRIPTS are in the Public Domain.  To be certain of avoiding any “Imperial Entanglements” they suggested that I’d need to hunt down the writer of each script (or surviving family members) and confirm that they did not, in fact, happen to copyright the particular manuscript in question.  Sadly, the stinging reality around Old-Time-Radio is that many of the directors, writers and actors have had their names lost to Time.  Full series like “The Haunting Hour” (http://relicradio.com/otr/series/haunting-hour/) remain entirely un-credited.  Alas, ALAS maintained that the legal burden would be on us to uncover these missing identities in order to confirm that recreating their work would not be an infringement of copyright.

I told them that would be an impossible task.

They agreed.  And suggested we stick exclusively to writing original material.  Q.E.D.

Peter Church / John Fleming / Andrew Knowlton / Claire Armstrong / Scott Watkins in “Invasion of the Cheese Men!”

In a last-ditch filibuster, I ranted about OTR transcription discs, Shakespeare’s First Folio, World War Two, the history of Human Communication, the problem with modern entertainment, and of course… The Public Good.  ALAS eventually acknowledged that modern audio entertainment, like Radio Project X or our friends at www.flashpulp.com, is a vital part of keeping the old stories alive by introducing a modern audience to the tradition of “Sound Entertainment” to tune-in the power of Human Imagination.

As MP3 players become ubiquitous, people are becoming accustomed to listening to what they want, when they want.  The public’s aural horizons are broadening beyond the Top 40 and (thanks to the Internet) they’re able to try out new (or very old) listening material. It’s our hope that Radio Project X can bridge the gap between the modern podcast culture and the richness of classic radio drama.  

On our website, please keep an ear out for some of our hilarious original sketches and things like Algernon Blackwood’s chilling tale, “The Man who Found Out” or Philip K. Dick’s sci-fi story, “Beyond Lies the Wub”.

This month we not only have special musical guest, Katie MacTavish crooning for us, but we’re also very excited to have permission from the Theodore Sturgeon Literary Trust (http://www.theodoresturgeontrust.com/) to perform our adaptation of Sturgeon’s creepy story, “The Other Ceila”. We’ll also be performing some hilarious commercials and radio sketches, so if you’re near Toronto on August 14 or 21, come and experience what you can’t find anywhere else – it’s only ten bucks and besides… it’s for the Public Good!

“Good night and good luck!”

Peter Church
peter@radioprojectX.com
www.facebook.com/radioprojectX
www.twitter.com/radioprojectX

Radio Project X.  It’s Sound Entertainment.

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Hi, me again. I just want to say that all of his projects, links, etc, have nothing but good and fun, and sometimes good fun, associated with them, so click away and check them out.