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Imponderable #108: Australia

13 Sep

September 13, 2013

In real life, Castaway doesn’t always have a happy ending. But in this case it does.

croc1

I’m not going to denigrate the danger of the crocodile. A 20-foot croc vs. and 8-foot boat? Croc wins. But I have to wonder about this island? How small was it? From the evidence (he “pulled his kayak as far as he could get it and headed cross country back to his camp.”) it isn’t tiny. So the Imponderable is: This is an island, so why didn’t he drag his kayak to the other side of it and take off from there? Even Gilligan and the Skipper knew enough to stay off the end of the island with the cannibals on it. (Remember that episode? The cannibals were played by old men from the Yiddish theater.) The island is big and the kayak is heavy, some might argue, but I say that in two weeks he could have moved it.

Why did he insist on leaving from a point right next to the croc?
The question is Imponderable.

headhunter

Picture Postcard: The Mosaic Buddha

4 Sep

September 4, 2013

Like yesterday, this is another picture I snapped in Red Hook. While I would like to give credit where credit is due, I did not note nor do I recall the name of the store in whose window I spotted this. It was an art store, closed. It seems like everything opened late in Red Hook.

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This is a beautiful, happy piece. Click on it and you’ll see it is made of thousands of tiny tiles. Probably all of us at one time or another in grade school made mosaics out of sea shells or pasta, but this as far from grade-school art as you can get.

This part of Red Hook was really upscale, very new, There were offices of major investment companies, high-end shops (Tiffany was there), and restaurants catering to the fancy-pants crowd. As you’ll see in posts yet to come, Red Hook is not all hipsters and bankers. There is a lot of original, old-school Red Hook left too.