Tag Archives: Back to the Future

Showdown at the OK Corral Post Office

18 Aug

August 18, 2014

old west post office

You can learn a whole lot from watching old westerns on TV. For example:

  • Most towns are run by a gang that has the sheriff intimidated. This is true from The Magnificent Seven to A Fistful of Dollars to today’s New York City, where Al Sharpton has been pulling the strings of Mayor Li’l Billy De Blasio and dictating police policy for months.
  • Shoot first, ask questions later. But if you shoot well enough, the answers become irrelevant. Weren’t a whole lot of answers to be given after the gunfight at the OK corral, and no one left alive to answer them anyway. Usually, when a gunslinger has called you out in the middle of Main Street for a shootout, you pretty much know why. Marty McFly knew exactly why Mad Dog Tannen called him out in Back to The Future III. (“I do my killing before breakfast.” “Oh yeah? I do my killing after breakfast.”)
  • The post office has been around from the earliest days of settled America and is just now getting around to delivering Christmas presents from 1876.

A few weeks back the post office had decided, as it usually does, to just not care about delivering packages for a while. Not that they do much of a job of it anyway. Usually, in Saarah’s building, the mailman slows his truck just long enough to toss some mail into the bushes of the building next door. On this particular day, Saarah was waiting for a package, a small box about the weight of six magic markers and a crayon, to arrive.

So what happened? Take your best, most educated guess.

  1. The package was delivered to her apartment door by the courteous and polite mailman.
  2. The mailman left a slip in her mailbox so she could pick it up at the post office.
  3. The mailman did nothing but eat a gyro as he walked past the building, yet the package was marked as delivered on the USPS website.

The correct answer is #3, but to be honest, he may have been eating a hot dog, not a gyro.

When Saarah tracked the package online and saw that they claimed it was delivered, she shrewdly knew that the information was incorrect by the clever deduction that the package was not delivered and we went down to the post office on Saturday to pick it up.

Saarah and I pulled up to the post office about 2 seconds after the pair of cars ahead of us also pulled up. Both of those cars were the same distance from the muni-meter, I was just behind one of the cars. This is important. Now I don’t know about your local post office, but all the ones in my area (and this is especially true on a Saturday) are staffed by one sleepy postal worker who may or may not speak enough English to order a Big Mac, and no one else. On a Saturday, there is generally a long, grumpy line, and it only gets worse as the time passes since the office closes at one. If for any reason your local post office is clean and efficient, with plenty of help behind the counter and short, fast lines, please tell me which drugs you are taking.

This is where the Old West theme I started with really kicks in. Cue the theme from The Good, the Bad, and The Ugly.

okCorral_1622167c

Guy on the right is DeForest Kelley as Morgan Earp.

The drivers of the two other cars got out and eyed each other. One had a package, half sealed, and a roll of tape. The other had a stack of letters in a box. They looked at each other, looked at each other’s mail, then both turned their eyes to the muni-meter. It all came down to the meter. Whoever got there first would get their ticket first and get into the post office first.  And they both knew it.

Just like the final shootout of The Good, the Bad, and The Ugly.

They stood and stared into each other’s eyes. Neither moved. Their eyes. Their mail. The meter. Their mail. The meter. Their eyes.

It was tense. You could hear a tumble weed roll by. You could hear the gentle snoring coming from the post office window.

And suddenly they both had the same thought and dashed as fast as they could to the meter. It was as if they were having a showdown in front of the post office, but instead of drawing guns, it came down to who was quicker to the muni-meter.

No matter who won, though, I was destined to be third in line, meaning they would both beat me to the post office, one with a huge stack of mail, one with an unfinished package, and who-knows-how-long of a line already in the office.

But none of it mattered because as soon as I pulled up, Saarah had jumped out and went into the post office ahead of all of us and beat the other two and got in line a good three minutes first, and in that time some other people got in line so the two ahead of me were a good five people behind Saarah.

I put my money into the meter, put the ticket on my dashboard, and sauntered into the post office just in time to meet Saarah at the window.

The white hats won this one.

 

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My Review of Shrek Ever After in 3D

5 Jun

June 5, 2010

“We have to save them before they fandango into oblivion!”

(Don’t worry, I’ll explain later.)

Shrek 4 in 3D may be the most shocking film of the season. I was shocked to discover that a 3D film is $4 more expensive than a regular film, which already requires a credit check before you buy a ticket. Shrek 4 was also available in IMAX 3D, but having already taken out a lien on my car to buy popcorn, I saw the regular old 3D.

Shrek did not take advantage of  the 3D at all. Obviously, it was made in traditional 2D until someone saw how James Cameron pulled a fast one on the public with Avatar and Dreamworks pulled out the polarized lenses and viola! “3D.” Now everything will be in 3D, including your old vacation films and still no one will sit through them.

Before the film, the theater advised that “to stay green” would we please “recycle” our 3D glasses. They really mean “green” as in “money” because all they’ll do is Lysol them off and give them to the next guy (and I seriously doubt they’ll Lysol them off.) I look at the glasses as part of the ticket price so I kept them. I’m wearing them now as I type. Sure they look silly, but they are also giving me one heck of a headache.

Mike Myers stars as Shrek and he must have run out of ideas. Remember the Austin Powers where Austin loses his mojo and goes back in time to get it? Same thing here. In this film, Shrek/Austin has become a celebrated household name. Instead of fearing him, people cheer him. Instead of avoiding him, they take tours to watch him go to the bathroom. No, seriously, that was in the film.

Taking advantage of Shrek’s lost mojo is Rumplestilskin, and if you think I spelled that right the chances are one in ten thousand. He looks like a short, pasty gnarled version of John Lithgow but about a hundred times more handsome and less annoying. Rumpy tricked Shrek into signing a contract in which A- Shrek got to be an object of fear and loathing once again, and B- Rumpy got to erase the day Shrek was born. Why does he want to do that? The film opens with a flashback to a time before Shrek saved Princess Fiona, his half human/half She-Shrek bride. It seems that ol’ Rump Face was thisclose to getting the King to sign over the kingdom in exchange for curing his daughter when Shrek blundered in and cheesed the deal, thus causing Rump Rump years and years of living out of garbage cans with only his evil goose as a companion. Yup. A giant evil goose.

SPOILER WARNING- THE LAST FEW PARAGRAPHS CONTAINED SPOILERS

Well, as any fan of Back to the Future can tell you, Shrek returned to a future where Rumplewhatever was King, Fiona never met him, and Biff Tannen ran the biggest casino in town. To make things right, Shrek had to get Fiona to kiss him at the Enchantment Under the Sea dance, a long shot seeing as how all the  ogres were being hunted down like Taylor and his crew in Planet of the Apes.

Other new characters in the film include a whole slew of new ogres who teach Shrek how to blow great blasts out of his, er, ears, and the Pied Piper, who plays the Beastie Boys’ Sure Shot on his flute, (I am not making that up)

In fact, the Pied Piper inspired one of my favorite lines in the film (OK, my only favorite line in the film): “We have to save them before they fandango into oblivion!” In the pretense of keeping this a fair and objective review, I will tell you only that Puss in Boots said it to Donkey as the ogres were forced to dance away by the Piper, but I will not tell you the song they danced to.

Does Shrek save the day?
Does Fiona fall in love with him again?
Did I almost spill my large coke all over my sneakers?
Of course. This is a Dreamworks film, not some sad post-war Russian art house flick.

Overall, this is a worthy addition to the Shrek oeuvre, and if you are as lucky as I was, it is even better seen from my favorite seats, top row, center. While the 3D may not have been used to much effect, I’m sure the IMAX was much the same, just on a bigger screen.

(Speaking of 3D, thank God they didn’t film Sex and the City in IMAX 3D. Those wrinkles would look like canyons!)