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A New York Minute: It’s All Greek To Me

9 Oct

October 9, 2015


Hey! We’re back with a New York Minute for you. Some of you out there may still remember those. Anyway, buckle up and away we go.

They’re filming a movie a couple of blocks away from me. I never did find out if it was a movie or TV show, but it was filmed at a Greek diner and the scene they shot over the course of a week was a police standoff. The actors were not familiar to me, and judging by the lack of autograph seekers or publicity they weren’t big names. There was your standard plainclothes cop with a shoulder holster, your standard female FBI agent in a severe black suit, and one- and only one- member of a SWAT team in full camouflage and armor. (I later found out that it was The Blacklist. I’ve never seen the show, but I understand that as of today the episode hasn’t aired yet.)

For about a week there were movie trailers and equipment littering the area and taking up a lot of valuable parking spots, and then one day they were all gone.

This isn’t the first time they’ve filmed a movie in my area. Aside from Saturday Night Fever, which I covered in a very early New York Minute, they also filmed a Steven Seagal film around here in the early 90’s, Out for Justice, I think. I’m pretty sure it was the one where Seagal wore a beret and a sleeveless vest and sleeveless shirt combo. That was the outfit that best showed off his, um, acting skills, I believe. Anyway, please don’t ask me to go back and watch it.

out for justiceWhile that was filming, I ended up with my Dad in Williamsburg, which is about as far from my end of Brooklyn as you can get and still be in the borough. Another movie was filming there at the same time as the Seagal opus, and whatever it was, it was a small indie effort. My dad, with a little superior smirk, gave the crew a dig and said “not like the Steven Seagal movie they’re shooting by me, huh?” That may be the strangest piece of reflected glory I ever heard.

But back to the present, and the Greek diner. The diner isn’t very good, which is why I won’t give them any free publicity, but it is a great example of 1970’s architecture. It looks now the same way it looked when I was a kid, right down to the ripped carpets and stained seats. Greek diners are a New York staple. In fact, the official NYC store sells ceramic copies of the iconic Greek blue coffee cups, the one with the Greek urns on it. In fact, I once worked with a guy who called every diner “that Greek place.” This caused a lot of confusion when he wanted to meet me at the “that Greek place” and I never found it, despite actually standing right in front of it. Why was it so hard to find? The “Greek” diner proudly had a big red Albanian flag waving in the window.

Greek diners have been New York staples since the 1950’s, and they are distinct from the tin clad railroad car looking diners you see all across America. They are noted for the large rotating pastry displays you can usually find right as you walk in. According to the New York Times, so you may want to take this with a grain of salt, most New York diners are owned by people of Greek decent. And while you can always get a range of Greek food, they serve it all, from Matzoh ball soup to cheeseburgers. Come to think of it, I can’t count the number of times I’ve had that exact combination.

From my part of Bensonhurst, I am just 10 minutes away from two very good Greek diners, and 5 minutes away from the not-so-hot one where the movie was just filmed. And that may be a touch ironic, since the Greek population of Brooklyn has been on the decline for years. But the diners are still going strong.

This has been your New York Minute. All this diner talk has made me hungry. Maybe I’ll watch Out for Justice to lose my appetite.


This post is, by a happy coincidence, appearing on my father’s birthday. Happy Birthday Dad! We all miss you.

An audio version of this story recently appeared in the amazing FlashPulp website. Check them out for awesomeness and goodies!

The Saturday Comics: Introducing Red Hot!

28 Sep

September 28, 2015


red hot 1 2

Mike Luoma
Rhys ap Gwyn

Mike Luoma
Juan Carlos Quattordio
Bettina Fertitta

How do you prove you’re a hero?

That’s the question the new Red Hot is out to answer in Introducing Red Hot. He’s a third generation hero, just starting out, and eager to prove he’s worthy of his legacy. As you might imagine, things do not go smoothly, and a simple bank robbery has far-reaching, and deadly, consequences.

The story is fast-paced and in this age of stories that take five issues to tell what should be wrapped up in five pages, that’s refreshing. The fast pace does not sacrifice either plot or character development. I’m going to keep this review spoiler free, but you will be introduced to not only Red Hot, but the super-group The Team and various members, including Leader One, Mister Velocity, and Mind Man. In a field dominated by The Avengers and the Justice League, it would be easy to simply write a Superman analog, a Batman-type, and a Captain America stand-in to round out the cast, but each character has a distinct personality, and none are designed to look like obvious knock-offs. Effort has gone into making these characters distinct.

Mike Luoma writes the book and his dialogue shows an ear for realism. The art favors dynamic layouts and bold colors, and that just adds to the fun. The artists change from the first to second issue, and while the art is clearly different, both have a similar style, keeping Red Hot consistent from issue to issue.

The bottom line is that these are fun comics. They are serious and dramatic, but handled in such a way that you know you are in a comic book universe. So many other, hugely-selling comics strive for “realism” and lose the magic of the comic book medium. This one embraces it.

I’m ready for issue three.

Mike Luoma has written more than just Introducing Red Hot. If you like this, check out his other works. You can get Introducing Red Hot in digital or print, plus Tales of The Team, Vatican Assassin, and lots of others at Indy Planet just by clicking here:


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